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sunnuntai 28. kesäkuuta 2020

The First Wars Review


The First Wars
Story & art by: Tsukasa Tsuji
Based on the characters & story created by: Yoshihiro Takahashi
Originally published in Japan 2019
Volume 1 / ?
16 chapters


This is a parody manga based on the Ginga franchise created by Yoshihiro Takahashi. Since this comic is a parody I don't think it's considered canon, but it might as well be, who knows. The story takes place between the Ginga Densetsu Weed series and its sequel Ginga Densetsu Weed Orion. The name of this album is a parody which refers to the Ginga: The Last Wars series which is Orion's sequel. It's all connected man!


The main characters here are the four puppies (from oldest to youngest) Sirius, Orion, Rigel and Bella. Sirius is the silver coated big brother, peace loving and rational. Orion is red coated and his personality is hotheaded and reckless, the opposite to Sirius. Rigel is black coated, which makes him stand out among the puppies. The last one with the eyelashes is Bella, their sister.


The chapters are a random mix of puppy shenanigans during the carefree days of their childhood. Only the first two chapters really poke fun at events that has happened in the previous series, the rest just kinda throw in a reference here and there. In other chapters the puppies get lost in the woods, fight off a snake and meet a bear cub for example. One of the chapters is even told more from their mother Koyuki's point of view, which was a nice change of pace. In two other later chapters the focus is on the pups interacting with Kurotora and Akame respectively (famous characters from the Ginga series). The chapter where the pups interact with Kurotora is particularly wholesome, and my personal favorite. I wish there had been more chapters like this, the puppies hanging out with other characters, rather than have them being out in the woods alone.


The negatives
- I don't like how mostly Sirius always breaks the 4th wall. Always namedropping Takahashi's name at every opportunity. In one chapter Sirius even mentions the internet! Like a dog would have any understanding of what the internet is. Please, leave out real life references, they're not even funny.

- I hate what Rigel has been reduced into. Rigel is my favorite (in the main series) and I'm having a hard time understanding why he is being depicted like a daydreaming idiot without a care in the world. His eyes always drooping and with a drop of snot hanging from his nose. Rigel in here, is so mellow to the point he doesn't have a personality at all, when he is supposed to be the middle ground between his brothers. He's just there. Dripping snot. My God, he's like Bella from the main series. Completely useless and forgotten about.

- I don't like how humanized the puppy's act sometimes. I can forgive the over the top human like poses, but I hate it when the pups suddenly have human made props on them. For instance, a comic book, hat, eyeglasses, fishing pole, etc.

- The Chibis, the mind-numbingly amount of Chibis. I don't hate the Chibi style, but I would have preferred, if the puppies have been drawn normal and only use the Chibi style for extra effect.

- There's only a handful of the adult Ginga characters appearing in this comic, which is a big drawback. I think this comic would have the potential to be a lot funnier parody if the puppies were allowed to interact with other characters of the Ginga series, rather than having them doing solo adventures on their own.

- The manga isn't that funny. Like, the drawings and expressions are funny, but the stories themselves are not.


The positives
+ Bella, the GIRL, who amazingly enough hasn't been pushed to the sidelines (like in the main series). She's actually participating! She's keeping up with her brothers and actually overpowers them in one of the chapters when Orion pushes her to her breaking point. I know it's played for gags in here, but man, would that be fun to see in the main series where she is either forgotten or treated as a complete weakling.

+ I think Tsukata Tsuji's art is really good if you look past the Chibi characters. It's actually really impressive how close he can imitate the Takahashi style, but without looking like a completely perfect copy. I seriously thought some of the flashback scenes were inserts of Takahashi's art, but on closer inspection, I don't think that's the case.

+ For a long time now, I think Yoshihiro Takahashi's art style has become quite stilted. In a way, reading this parody has breathed some life into his characters, seeing how expressive they can be.

+ Better characterization of female characters. Nothing groundbreaking, but seriously, Koyuki and Bella have ten times more personality in here compared to the main series.

+ Even if they are played as a joke, this comic introduces interesting ideas that I would like to see happen in the main series someday. Like, instead of having to choose one leader of the pack have all four rule as equals..... or completely rewrite Bella's character and make her the leader. And I'm not saying this with some feminist agenda in my mind. I like the Ginga series, but I also think it's very stagnant. Having a female character that's soul purpose isn't about being the companion/mother to someone else would be a big improvement.



I can't really think of anything else to say about this manga. If I were to give it some fake rating, I'd give two and a half star out of five. Maybe just two on a bad day and max three stars if I was having a great day. Unless you are a super fan of the series, don't spend your money on it, just borrow it if you can.



lauantai 2. maaliskuuta 2019

Moominvalley ep.1

A look at the new Moomin series. Spoilers!



Episode 1 of 13.
"Little My moves in"
"The Moomin family's hospitality is put to the test when Mymble arrives unannounced to their house with her swarm of wild children."



I was watching Netflix when my dad came in and said I might want to switch the TV onto channel 2 and so I did and to my surprise I was watching the new CGI animated Moomin series. I missed the first few minutes of the episode, but I rewatched it later online.
My initial reaction after watching the episode was that I didn't really like it. But since then, I have watched the this episode two more times (twice with the Finnish dub and once with the Swedish dub). Slowly, it grew on me, mostly thanks to the Swedish dub. I started to find things I liked and overall now I'm unsure if I like it or not. Based on this first episode I'm leaning a bit more towards dislike, but I'm also curious to see where this is going. Does it get better? There are twelve more episodes coming and I'm going to watch the rest. After the episode ended, they also showed a "making of" documentary about the show. Based on the short clips they showed in the documentary, the English dub sounds a lot better. The Finnish dub is the weakest compared to the Swedish and English dub. Just saying.

why does she have to look so seductive?

The episode starts with music and a song, so you would automatically assume this is the series theme song.... There's a sweeping camera shot of the Moomin house and Moomin and Snorkmaiden are flying on a pink cloud, Snorkmaiden disappears and so does gradually the cloud and so Moomin falls down from the sky and wakes up. Because it was all just a dream! Turns out the "theme song" was just Moomintroll's dream....with an English soundtrack. The English songs don't fit in when everything else is spoken in Finnish/Swedish. I don't understand why they didn't translate the songs, or why they decided to put a song in there to begin with. I think it's very distracting when a random song starts to play in the background and it doesn't add anything to the scene. Instrumental version would have worked much better, or you know, if a character was singing, but Moomins don't really do that. Anyway, the transition from dream to reality is good visually, but because of the song, it's a very abrupt and confusing opening for a show.


Moomin was woken up by the sound of somebody knocking on their door.  Before Moomin leaves his room, he talks to a picture frame on his nightstand that got knocked over when he fell from his bed and says "You have to learn to stand on your own feet". Uuummm, okay?  I feel this is intended to be some kind of lesson we are supposed to learn at the end of the episode. Maybe.

where is your tail?

The knocking on the door also wakes up Moominpappa and Moominmamma from their winter hibernation. (Noticing that Pappa and Mamma are sharing the same bed, which they didn't in the old series) Moomintroll walks in and tells them someone's at the door. Moominpappa the half angrily says "I guess we have to open the DAMN door then" which to me feels very out of character. Moominmamma point out if he is going to open the door in his pajamas and Moominpappa says "Oh right, I better get dressed" and  UNDRESSES himself from the pajamas and scratches his arse while walking out of the room (Moomintroll awkwardly looks away while his dad undresses, that's supposed to be a joke I guess). Moominmmma then tells her son "Happy new year, Hun" and Moomin reply's with "That's what I hope too" And, NOW we get to the theme song.  Which is about 26 seconds of the opening credits and a voice going  "ooooo  ooooooo ooooooooh da da daaaaah"  ending on the show's title logo. The silhouette of the armless Moomin between the words really bothers me. The logo doesn't look balanced, I like the typefaces and how the opening credits kinda mimics Tove Jansson's ink drawings. It looks very pretty, but I don't like the music or "song" whichever you're supposed to call it.


They established earlier that it is supposed to be winter because, the Moomins were still in hibernation, but the outside doesn't look really midwinter to me, more like early spring. There's barely any snow around the house. Pappa opens the doors and meets Mymble who greets him and kisses him on both cheeks. Pappa rubs his cheek with his hand and says "oh and you brought the kids?" (already we see here, he doesn't like where this is going). Mymble has a flock of five identical boys and five identical girls, all clones of each other (literally, you can't tell the difference between them).


Mymble announces she'll be staying with them for a while. Moominmamma invites them in while Moominpappa and his son look at each other with sympathy as the flock of children runs into their house. Mymble chit chats while Moominmamma serves her tea and makes quick side glances while the kid's run amok in the room, meanwhile Pappa and Moomintroll are hiding behind the couch. Suddenly Pappa is hoisted into the air by a rope tied around his belly. The kid's notice Moomintroll, who tries to crawl away out of the room. Moomin gets surrounded and backed into a corner by My's siblings (who don't speak a word through the whole episode, makes them a little creepy because they barely blink either). And they can "teleport" because the jokes demand it. Suddenly a door is kicked open and we see a big shadow with dramatic suspenseful music playing while something is stomping closer and closer. Little My steps in and Moomin sighs in relief that she isn't something big and scary after all.


Moomintroll introduces himself to Little My and then tries to get back to his room to continue his winter slumber. But Little My won't allow that (I admit I liked the music in this part).She leads her siblings into a chase and wherever Moomin tries to hide she's there first. This part is very fast paced and there's a lot of running around, children's laughing & yelling. There is also one weird part with a painting. Moomin is looking for a hiding spot . He walks in a hallway past a painting, backs up and looks at the painting and then looks backwards. But then we see him hiding in a bunch of other places before he then tries to hide behind the painting. I think it could have been funnier if it was edited differently or the joke was set up properly.


Finally, we see Moomin breaking down and crying because he can't get away from the kids. Moominpappa is still hanging from the ceiling until Moominmamma lowers him down and tries to reassure them that Mymble will be leaving soon. But then Mymble walks in (with a drink in hand) and states she won't be leaving before midsummer.


Instead of asking Mymble to leave their home, Moominpappa comes up with the bright idea to  trick Myble into thinking it's already midsummer to make her leave. The Moomins go through with different schemes in hopes to convince Mymble (here an English song starts to play in the background again, very out of place), but then unfortunately for them, Little My finds out the truth and confronts Moomintroll about it. Moomin admits they are just pretending, but he still asks My not to tell her mother the truth. My agrees and then leaves.


Little My: Why don't you just ask her to leave? 
Moomintroll: Because that wouldn't be nice.
Little My: No, you mean it wouldn't be easy.


The Moomins and the Mymbles gather around their "midsummer" bonfire and it looks like their plan finally worked. As Mymble is getting ready to leave and starts counting her children, suddenly a Hemulen with a water hose shows up and puts out the fire and reprimands them for starting a fire in the first place (why the heck not? It's winter and everything is wet, there's little risk of the fire spreading). Before Hemulen leaves, he praises Little My for alerting him about the fire and gives her a "bro fist". This is when Mymble realizes she's been tricked and declares she and her children won't be leaving anytime soon.



In the evening, once Moomin finds out Little My has taken over his room, he storms out of the house in the middle of the night carrying only a toolbox. Next morning, we get a montage of Moomin building a crooked frame of a house on the beach. Little My shows up and laughs at him when the house breaks down. Moomin snaps back at her, but then sees the opportunity to get his room back since Little My is out here on the beach with him. They both race back to the Moomin house and when they get there, Mymble has already given Moomintroll's room over to My's siblings, who are wrecking the room as we speak. Amongst the chaos around them Moomin and My sit on the bed looking very depressed. My confesses that all she ever wanted was a quiet place of her own. Moomin suggests building a new house and they agree to work together this time.

oh my

After a montage we see both of their families arriving to the beach to see the new house.  Moomin and My reveal they actually built the house for Mymble and the kids and Mymble gladly accepts it. Mymble and her children are on the balcony of the house waving their goodbyes to the Moomins when the rock the house was built on starts to move! Turns out the rock is actually a giant turtle, which is now going back to the sea. Moominpappa congratulates his son, implying that he thinks it was a stroke of genius to build the house on top of a turtle who will take the Mymbles far away, while Moomin is genuinely surprised there even was a turtle. (This begs the question, did Little My know about it?)


In the evening, Moomin is getting ready for bed and he knocks down again the same picture frame we saw in the beginning. He picks it up and says (in the Finnish dub) "I need to get a new picture". Which makes no sense in this context. In the Swedish dub he says "What did I tell you about standing on your own feet?" and I'm assuming he says something similar in the original English dub. Which again works because it ties in with what was said earlier in the episode. Just a weird thing I noticed.
To Moomintroll's surprise, Little My appears behind him. Looks like she decided to stay after all. Just like that. She quickly changes the subject and ask Moomin about a "special guy" who arrives in spring. The episode ends with a very "epic" foreshadowing about the character we hopefully meet next time. Moomintroll utters the name "Snufkin" as the camera zooms in on a picture of him and Snufkin in the background. End episode.


Why I didn't like this episode initially is because, as a kid, I grew up with the animated series made in 1990-92 which was compared to this, much more focused on story and atmosphere and slow paced (and the music was great!). Because the creators of the show felt Moomins needed to be rebooted to attract modern audiences, the new show feels more focused on how many jokes they can fit in the episode instead of the actual story like most of today's stuff. It's fast paced and loud, which makes it more annoying than enjoyable.

The characters sound a lot meaner in Finnish, particularly Moominpappa and Little My. I don't know should I blame the translation or the voice actors or both. Little My's VA does a great laughter tough, I'll give her that. I liked this episode a much more when I watched it the Swedish voices. For example, in my eyes, Mymble comes across in the Finnish dub as an inconsiderate, entitled lady while in Swedish she more like a silly old lady, who doesn't realize how bothersome she and her kids can be. The visuals are all the same, so that is how much the voice actor affects how the character comes across.


The character models are something to get used to. The Moomins are now fuzzy or furry, whichever you like. The Moomins are made taller with longer limbs and their tails are really long, dragging along the ground. I think they are fine for the most part. Sometimes the arms look really long and their hands too big. And they all have noodle arms (Little My in particular) which I find to be a little distracting. I've seen a few people comment that Mymble is nightmare fuel, and I can see why someone might think that. Mymble and My's siblings are the "cheapest" looking characters, probably because they appear only in this one episode (?). I appreciate that they kept the eye colors from the old series for the main characters.

I have a problem with the lesson this episode is trying to push and how it is resolved. It is established that the Moomins don't want Mymble and her kids in their house. Instead of asking Mymble to leave, they resort to tricking her into leaving, but which fails. Throughout the episode Little My tells Moomintroll to "learn to say no and stand up for yourself". But does he ever do that? Yes, he snaps back at Little My when his first house fails and right after that tries to reclaim his room. This also fails because as we know by now, Little My was never the real problem, her mother and her out of control siblings are. Nobody never tells Mymble, enough is enough and asks her to leave their house. Instead the whole conflict of this episode is resolved by putting it on a back of a turtle and watch the problem float away. The actual people who needed to learn their lesson here was in my opinion Mymble and Moominpappa. Moominmamma is also presented as weak because she just goes along with Moominpappas plans without protesting even though we see her many times, making faces that shows she is uncomfortable with what they are doing. She could have been the one who tells Moominpappa to stop fooling around and ASK MYMBLE TO LEAVE. Which in turn, would maybe teach Mymble some humility and that she can't impose her and her horrible kids into other peoples homes. I guess I shouldn't complain that much since the episode does stick somewhat closely to Tove Jansson's original comic strip (how careless Mymble is with her children, the  midsummer scam and building a house). Except for the ending. That god damn turtle.

I won't be holding my breath in hopes that the series will get much better after this. I'm hoping they might have adapted some story lines the 90s version didn't, at least then it would be much more interesting to watch.

fixed that logo for ya


lauantai 3. syyskuuta 2016

Stephen King's IT

Spoilers I guess?



Does anybody even read books anymore? Well I do, thank goodness for libraries! I was there to borrow something else when I noticed a creepy clown on the cover of this one book. Awesome, you got me interested! What do we got here?  Well, if it isn't the newest edition of  Stephen King's IT! I've never read this one before, so why not? I've read a few other books by King in the past and I've seen the TV-miniseries (I will refer to it as a movie from this point forward) and I remember liking them somewhat. Let's give it a go!

.... And after reading a few chapters. Oh my god! This book is long! A mammoth with over 1000 pages! I'll never finish this in time! Maybe it's just me, but "It" wasn't a book you can't put down because it's too exciting and you want to know what happens next. No, I found it hard to pick back up after taking a break reading it. The book and the movie suffer from the same problem (the movie to a greater extent), it can be pretty boring at times.

Let's state the obvious thing right from the get go. It should go without saying that the book is superior to the movie in many ways. Despite me having a hard time reading the book. It's far scarier and disturbing than anything they could put on screen.



I didn't care for the constant skipping between the present and the past. I think flashbacks work well in movies, but for whatever reason I don't care for them in books. Or maybe the problem lies in having seven main characters. Once you get through one character and their past the next one is waiting, dragging the overall story. I might have preferred if the book was divided in two parts, one with the childhood and the other with the adults.



It's hard to tell why the parts with the adult actors seem so flat and uninteresting compared to the child actors. To me, the child actors feel much more genuine, like they actually are the characters from the book, while the adults are just acting the role. Sounds stupid trying to explain it, but that's the way I feel.



The real show-stopper whether you look at the book or movie is of course "IT" aka Pennywise the Clown (played by Tim Curry). He is easily the most enjoyable part of either version! Whenever he is around something's happening! I may be scary, disgusting or very disturbing, but he truly breathes some life into this whole thing. The scene in the library (in the movie) is really the only part where they mishandled the character, he was too obnoxious and goofy.

The power of the dark side is strong in Pennywise!

The finale in the book makes more sense (although I'm not a big fan of that either), but the movie, oh boy, is it bad on so many levels!  The movie does a poor job explaining the connection between the true form of IT and Pennywise. Maybe it would have been for the better if the movie scrapped the book's ending and created something original instead? Let's say, a final showdown with Pennywise instead of having him abruptly disappear from the last act without an explanation?

Here IT comes... the disappointment!

Obviously there were parts that had to be changed or left out from the book when they made the movie. I didn't mind most of the minor changes made for the movie or stuff they left out of the book. However, there was one big moment in the book I really would have liked to see make it onto the screen, but it was only briefly mentioned in the movie, probably due to time and budget restriction. Also, I'm glad they left out all the sex-capades from the book....


Essentially the movie feels like a poor man's IT, meant for those who will never get around reading the book. Which is what every movie does, I guess. I think the movie did the bare minimum in order to tell the story right and it trips over right at the finish line. I get it, there certainly were some scenes in the book that are not OK to be shown on TV (or anywhere for that matter....), still I question why bother making something if you can't afford to do it right.

I'm not sure I remember where I was going with this, but nevertheless, even though I have a problem with both versions, the movie and the book, in the end which one would I recommend? Well, if you don't mind reading definitely go for the book. Don't like reading? Watch the movie! Want to check out them both? Then, I'd say watch the movie first and then read the book. The book will fill you in on anything you may have been left wondering about by the movie, to the point that it's too much information. I don't think anybody appreciated that gangbang in the sewers close to the end of the book. Seriously, WTF?

****


IT's not over yet! There is a remake coming out, I don't know when, but soon I hope! I think remake is the wrong word to use here, after all, the first one was a TV-series with just 2 episodes and not an actual movie. As far as I know the new one will be a real motion picture! So exciting! Supposedly the new movie is going to be more faithful to the book, not sure how that's going to happen. How are they going to adapt such a long story for a movie that is what,  2 hours, 3 hours long at tops? (Maybe Netflix should make it to a 12 episode series instead?) Okay, so I'm worried, but still so excited! This is the right way to make a remake! Take films that didn't turn out so good or didn't have the budget to be what it was meant to be. Not remaking classics that were good from the beginning with!

Will we see the twelve year old kids' smoking like they did in the book in the new movie? I don't think so! Some things are just too hardcore for the audience to handle.


tiistai 17. marraskuuta 2015

Readable comics


It's frustrating when you drag yourself to the library in order to borrow something specific and when you are finally there, it turns out someone else has already borrowed the book you wanted. Rather than go home empty handed, I picked up a few books from the comic book section that looked interesting enough just by quickly glancing through them.

Monsterland by Hans Arnold
Published by Arvinius Förlag AB
OMG! Nudity! Alright, this one isn't actually a traditional comic, more like an illustrated short story, a little over 60 pages long. I was drawn to this by the dark imagery, rather than the story, which I couldn't quite grasp. The story is just there to provide a setting for the illustrations, which are the main focus. A good description of the illustrations would be surreal,slightly disgusting, macabre horror mixed with humor. Even if it contradicts what I just said, the entirely black and white illustrations are quite beautiful in their technique. Enjoyable might not be the right word for this, but I did find the book more enjoyable if I skipped reading the text entirely and just looked at the pictures. The title of the book, "Monsterland" has already tied the pictures perfectly together, therefore the story isn't needed. Oh, right, the story begins with a woman answering to a personal ad in a magazine, where a businessman is looking for company for a holiday getaway, and then everything just turns bizarre....


Terry Pratchett's The Light Fantastic
Illustrated by Steven Ross & Joe Bennet
Published by Transworld Publishers Ltd
Honestly, I got this one purely for the reason that Death appears on the cover and beyond that I wasn't really expecting much, but it turned out to be a quite funny reading. However, trying to explain the plot is a challenge. The story is about .....well, first of all, there is this giant turtle swimming is space and on its back it's carrying a magical world called Discworld, filled with wizards, trolls and all kinds of crazy shit. Then there is this spellbook called Octavo, left behind by the creator of the universe, that withholds 8 great spells, but for whatever reason one of the spells is stuck in our main character's Rincewind's head. Rincewind, a failed wizard, must bring the spells back together before a set time or else the Discworld will be destroyed. Rincewind meets many wacky characters and surroundings on his way to return the spell to the magic book. I don't know any background for this graphic novel, but something tells me there's a lot more to it and this is merely a fracture of a whole bigger story. The comic was good fun, but it wasn't captivating enough for me to find out more about the series. The art does its job well, although I'm not a huge fan of it, but what I like the most about this comic is the dialog, almost on every page you will find something to make you chuckle. Despite how absurd it was, this one was surprisingly fun to read.


Pride of Baghdad by Brian K. Vaughan & Niko Henrichon "Inspired by a true story"
Published by DC Comics
Well, that was depressing! I had very high expectations for this one and it turns out to be the most depressing thing I've read in a while. The Pride of Baghdad is a story of four lions that try to survive after they escape from the zoo along with other animals, as the city has been bombed to ruins around them. The main characters are the two lionesses Safa and Noor, Noor's cub Ali and a male lion named Zill. From what I could understand the events in the comic are happening during one single day, which means everything went downhill for the poor animals very quickly. Never did I imagine stumbling upon the subject of rape in an graphic novel about talking lions. o_O Definitely no Hakuna Matata singing in this one. It was tiresome to read when the character were constantly bickering with each other, except for the little Lion cub Ali, he was lovable. Close to the end of the story, we get to see a quite random and frankly, pretty stupid plot twist, with the lions fighting an another big animal. Nothing is gained from this fight, other that it drags down the story right before we get to the bittersweet end. Even though I'm saying this is very depressing, I don't necessarily mean that it's bad. It's just hard to recommend to anyone, because it is a such a sad story. The drawings are very beautiful though. I guess I could recommend this for them, who have ever wondered how the Lion King with an M-rating would look like....


Funny Misshapen Body a memoir by Jeffrey Brown
Published by Simon & Schuster
Brown's autobiographical comic here, has to be my favorite out of this bunch. It was quite refreshing to read a comic that is this down to earth after all those earlier fantasy series. I can only speak for myself, but rarely do I find a story that is this relatable. I think Brown's drawings are charming, because they aren't too perfect, they definitely have a handmade quality to them. I can easily picture them being taken directly out of a sketchbook. This is a good read for anyone who ever, even just for a second, have dreamed about of becoming a cartoonist.



maanantai 26. lokakuuta 2015

All You Need Is Kill / Edge of Tomorrow


All You Need Is Kill:
Original story: Hiroshi Sakurazaka
Illustrated screenplay: Ryosuke Takeuchi
Character design: yoshitoshi ABe
Art: Takeshi Obata

Edge of Tomorrow: 
A film adaptation from director Doug Liman 
Starring Tom Cruise,Emily Blunt
1h 54 min

Note: I tried writing this spoiler free, but I can't promise that minor spoiler wouldn't appear. Sorry. Also, I haven't had a chance to read the novel that the manga originated from, therefore I can only judge the movie based on my experience of the manga. I've read the Finnish edition of the manga and I'm writing this in English, so most likely some of the terms I use will differ from any official English translation.

Summary of AYNIK:
The united armies of mankind (United Defense Force) are at war against alien lifeforms known as mimics. One day, a Japanese rookie soldier named Keiji Kiriya dies during a battle. However, instead of staying dead, Kiriya wakes up, alive and well, in his bed at the military base and brushes off his violent death as a wacky dream. But then he dies again, and before too long, Kiriya realizes that he is re-living the day before the battle in an endless loop while the people around him are unaware of this. Kiriya tries to escape his death on the battlefield by running away from the military base, but is killed. He wakes up in his bed and shortly after, commits suicide. All his attempts are futile, he just keeps waking up on the day before the battle. Kiriya comes to the conclusion that he has to survive the battle, in hopes to break out of the loop. So he spends the same day in and out training and preparing himself for the fight ahead of him. With every battle ending in his death, Kiriya's skills improve and he survives for longer periods of time. During his 158th time on the battlefield, he comes face to face with Rita Vrataski, an American soldier who is hailed to be the best mimic killer in the world. It turns out that Rita is also caught in the same timeloop as Kiriya, and so the two decide to work together in order to break out of the loop and save mankind from the mimics.

teethed balls of death vs. starfish spaghetti monsters

Summary of EoT:
Well, we have the invading alien army. We have a character who wakes up the day earlier whenever he dies, and there's a woman named Rita Vrataski. Those three facts remain intact from the original version, although some alterations have been made on them. The story line is basically the same, although the setting of the big battle is moved from Japan to central Europe. The biggest changes are the explanation on how the time loop, created by the mimics, works and also the main character. They abandon the role of the private Keiji Kiriya in favor for Major William Cage, US Army Media Relations, played by Tom Cruise. The character of Cage in the beginning of the movie is more like a recruiter and not an actual soldier. Cage gets himself sent out in the battle as a punishment of insubordination, despite having no training on how to use the military mobile suit in combat. It takes Cage a few deaths as well to realize something isn't right. Before too long, Cage meets up with Rita and they start working together to rid the world of the mimics.

As with any story that includes some aspect of time travel, it can be confusing at times. Although, the movie and the manga don't play by the same rules on how the time loop works, I felt that the manga did a better job explaining its version of the rules while the movie's was altogether more confusing and to top it off, the ending threw all the rules out the window in favor for a very dislikable, cliché Hollywood ending.


I think there is a problem with the main character in both versions. Kiriya looks like a black haired Light Yagami, he stands out too much in the wrong way. I don't remember Kiriya's age being mentioned in the manga, but he looks way too young compared to the other soldiers appearing as support/background characters in the comic. The movie doesn't do much better, as Tom Cruise is too old for the role. It's sad when the looks of the side characters are much more believable in the story, making the main character feel out of place. Still, I will say that Tom Cruise does a good job acting in this, transcending from this smug and arrogant PR person, into a scared rookie and then into an expert soldier.


However, in the manga, there's something that bugs me even more than the main characters looks, mainly the women. There are basically only three females included in the story, our second main character Rita the badass soldier, a slutty cook and a mechanic. All of them are drawn way too young and cute in a very stereotypical manga way, in order for me to take them seriously. Since the manga is only two volumes long, I understand that the side characters won't be developed very well, but the women, except for Rita, seem to be unaffected about the destruction of humanity around them and they plain and simple, don't fit very well in the world the manga is trying to create. To be fair, the movie doesn't really do any better with its representation of women either. A little better, but not much.

Because of the restrictions of the story's length the storytelling has to move forward at a fast pace and some corners had to be cut in the development of the world these characters live in. The manga paints a really sad picture of the state of the army. They are sending soldiers to fight overwhelming enemies with ineffective weapons! Machine guns, rocket launchers and other explosives are practically ineffective against the mimics. The only weapon in the army's arsenal that may critically injure a Mimic is a pile driver-like weapon that fire lances. The downside is, that the weapon has an ammo limit of 20 and in order to fatally wound a mimic, a soldier would have to be standing right next to one of the deadly creatures. The reason Kiriya and Rita survive is because they abandon the army's choice of weapons and instead they use custom made battle-axes (although there are some inconsistencies in there, in one of Rita's flashbacks we see her using a machine gun against the mimics and it seems to do the job just fine).
The movie fancies machine guns, grenades and mines as the army's weapons which aren't quite imaginative when compared to the manga. Rita is shown to wield a big sword a few times, but not in the same extent like her ax master manga counterpart.

 

I have to say that the film's version of the armored battle suits looks just ridiculous. They look so heavy and slow, it's no wonder the mimics are kicking humanity's ass. It appears like the battle suits were designed only to help the soldier carry the heavy weapons mounted on the suit rather than to protect the individual inside the suit from injury. Granted, the suits didn't stop anybody from dying in the manga, but at least it looked like it could protect its carriers from some damage. The EoT's version leaves their operators as open targets. Right now, if I had to choose which version's suits looks better I'd go with the suits that appeared in G.I. Joe: The Rise of Cobra)

Couldn't find a good screenshot from the G.I. movie. Picture from here. 

The manga does not shy away from showing off the mutilation of Kiriya, which is very fitting for a story that makes the death of its main character a major plot point. The only time we get to "enjoy" watching Tom Cruise's Cage's gruesome death is the first time he dies, otherwise he usually meets his end off screen or in a generic explosion. The movie could have been slightly better if they wouldn't have been so afraid to amp up some gore. All the deaths in the movie are so ineffective because we are never shown anything. EoT is essentially a sci-fi war movie and we barely get to see any blood! How about showing us a few torn up limbs here and there or an aftermath of an explosion? Anything!



The way the character of Rita Vrataski was handled in the film left something to be desired. The manga has three chapters dedicated to Rita's backstory while in the movie pretty much ignores Rita's past. Manga Rita seems more humane, while movie Rita is portrayed to be just a tough bitch. Then the movie specifically makes a point on how Rita doesn't like to be called a bitch at the same time they make her act like one. A good example to demonstrate the differences between the two Ritas is in one short scene that can be found in both versions. In the movie, Cage is fatally injured and Rita walks up to him, removes the battery from his mobile suit and walks away, leaving him to die. While in the manga, Rita tells Kiriya that she will wait by his side until he dies, and then she will take the battery from his suit. (What we're missing here is a third Rita, that would first put Kiriya/Cage out of his misery and then take the damn battery....) In the manga, Kiriya looks up to Rita and he becomes her equal through his own efforts, but the movie manages to turn things around that Cage, who was trained by Rita, has to save Rita from dying (making her into a "damsel in distress" while she's being a bitch about it).

As a standalone movie, and if you can avoid comparing it to its source material, Edge of Tomorrow is a decent film, and unintentionally funny at times. I'd probably recommend you watch the movie before reading any of its source material, that way the movie won't be as disappointing and possibly more enjoyable. Warning: the song playing over the ending credits is just atrocious and totally kills the mood of the film, even if the ending itself is already horrible. In conclusion, despite my whining over some stuff, the manga is the superior version out of the two. Especially the ending.